I am Mine : Carole A. Feuerman The Seventies - Carole A. Feuerman

I am Mine traces Feuerman's emergence as a key figure in the Superrealist movement of the 1970s, and considers her ongoing influence on contemporary sculpture.�The 1960s and 1970s marked the rise of countercultural movements�that challenged social norms regarding sexuality and morality. These�movements fostered a more liberal approach to art, allowing artists�to explore taboo subjects without fear of censorship.�The feminist movement of the late 1960s and the following decade�also transformed perceptions of self-determination in the management of one's sexuality. Female artists began to reclaim their bodies,�challenging male dominated narratives that often marginalised or�objectified female experiences. " With this book, I wanted to initiate a reflection on the cultural climate that characterized the 1970s. I am Mine stems from my need�to investigate what meaning my early work might have for younger�generations who did not experience that climate of great trans-�formation. This led me to engage with female critics with different�perspectives, whose texts are collected here". (Carole A. Feuerman)